Staff Picks

Metallica’s “Orion” in Houston: A Celestial Tribute That Left 70,000 Speechless

The evening launched with adrenaline as NRG Stadium filled with fans from all walks of life. Suicidal Tendencies lit the fuse, followed by Pantera honoring Texas metal roots. By the time Metallica took the stage at 8:55 PM, the crowd was a charged storm, buzzing with anticipation for what would be an unforgettable night.

As the setlist began circulating online, whispers spread fast—“Orion” was coming. For die-hard fans, this wasn’t just a song; it was a sacred moment. When the opening notes finally surfaced mid-set, cheers erupted like a wave, as many realized they were about to witness one of Metallica’s most emotional instrumentals.

“Orion” is deeply tied to the spirit of Cliff Burton, the bassist who helped define Metallica’s early sound before his tragic passing. In Houston, that spirit returned. Robert Trujillo didn’t imitate—he honored. His delivery was precise, humble, and utterly respectful, drawing tears from fans who felt Burton’s presence in every note.

This wasn’t just any Trujillo performance—it was one of his most heartfelt to date. Fans online noted his deep focus, how he let the basslines speak without showboating. He played “Orion” like a eulogy, making space for Cliff’s legacy to breathe again. For many, it was the emotional apex of the concert.

As “Orion” unfolded, the stage transformed into a celestial canvas. Frosted blue lights beamed into the Texas sky, and fog billowed like interstellar dust. The visual design elevated the song into something cinematic—turning the stadium into a cosmic church with 70,000 congregants caught in its orbit.

Just as the dreamlike intro lulled the crowd into stillness, the main riff snapped everyone back to life. Hetfield and Hammett unleashed the rawer side of “Orion,” melding melody with aggression. The tension and release were perfectly paced, evoking awe and power rather than just nostalgia.

Uncharacteristically, the crowd didn’t erupt into chaos—they stood transfixed. Thousands of people closed their eyes, arms folded or raised, letting the music wash over them. It was a moment of unity through silence, until the final note broke it with roaring applause and tearful cheers.

The band’s lineup—stable since 2003—seemed especially tight tonight. Lars Ulrich’s drumming had sharp purpose, Kirk Hammett wandered through solos with graceful precision, and Hetfield’s rhythm roared like a storm. Together with Trujillo’s bass, it created a harmony that gave “Orion” a timeless pulse.

The full setlist was a careful journey. “Orion” was tucked between the raw blast of “Fuel” and the emotive beauty of “Nothing Else Matters.” This pacing was intentional—it allowed space for the crowd to catch their breath and absorb a performance rarely seen on a Metallica stage.

Houston’s crowd was a cross-generational gathering. Parents brought kids. First-timers stood beside veterans who’d waited 40 years. People in their 60s were headbanging next to teens. “Orion” bridged the age gap, offering something transcendent to every person there.

Once the instrumental wound down, Hetfield greeted the crowd with a heartfelt thank-you before easing into “Nothing Else Matters.” The shift from cosmic to intimate gave the set a narrative arc, like chapters in a book. And the audience, emotionally softened, sang along like a choir.

Earlier in the set, Trujillo even played a snippet of ZZ Top’s “La Grange” as a cheeky local tribute. It wasn’t just a gimmick—it grounded Metallica’s massive sound in the roots of Texas blues-rock, reminding the crowd that even giants tip their hat to legends before them.

As part of the M72 World Tour, Houston was blessed with a “no-repeat weekend,” meaning two different setlists across both nights. “Orion” was exclusive to Night 1, making it all the more special for attendees. Fans on Night 2, while thrilled, knew they had missed something cosmic.

More than four decades in, Metallica still balances legacy with reinvention. “Orion” represents their roots, their grief, and their technical prowess. Newer tracks like “If Darkness Had a Son” or “Lux Æterna” keep them relevant, but it’s songs like “Orion” that cement their immortality.

As “Enter Sandman” closed the night with fireworks and fireballs, fans streamed out into the humid night air stunned, hoarse, and smiling. Social media lit up instantly. One tweet said it best: “We didn’t just see Metallica—we time-traveled, cried, and came back healed.” That night in Houston, “Orion” became more than a song. It became a shared memory.

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